白だけでなく、赤も光源によって彩度が大きく左右される。 自然光や蛍光灯の元ではおとなしくしていても、白熱灯の光をあてるとまるで浮き上がるように前に出てくる。
以前はいつ制作しても光の状態は一定にしておこうと思い、なるべく自然光の入らない状態で制作していた。 だが最近は光源が変わることによって作品の見え方が変わることも製作中の興味ある要素となってきている。
画廊では白熱灯のスポットライトの下で見ることが多いのだが、自然光の入る住居空間では昼と夜で作品の表情が変わるのも面白いと思う。
Not only white, but also red changes its intensity under the different light sources radically. It’s usually quieter with daylight or a fluorescent light, but it becomes vibrant under a incandescent light.
I used to keep same lighting condition without any natural light in my old studio, so that I can paint any time of a day without changing the looks of the painting. But lately I started to enjoy the different impressions from a same image in different time of a day, and it’s becoming a part of the process of painting to be aware of those changes.
When you look at paintings in a gallery space, usually they are lit by the spotlights and the way they look doesn't change. But when you look at a painting in a living space the lighting condition changes between day and night. I think that change is appealing.
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Under the skylight with daylight. --------- ---- Night time with incondescent light.
- 2007/02/13(Tue)|
- Colors
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